août 9, 2022
Juxtapoz Magazine – Painting Over The Cracks: D*Face @ Corey Helford Gallery, Los Angeles
Art

Juxtapoz Magazine – Painting Over The Cracks: D*Face @ Corey Helford Gallery, Los Angeles

Corey Helford Gallery, Los Angeles // August 06, 2022 – September 10, 2022

Downtown Los Angeles’ Corey Helford Gallery is honored to host the long-awaited next U.S. solo exhibition from world-renowned London-based multimedia artist D*Face, entitled Painting Over the Cracks. Opening Saturday, August 6 th from 7:00 pm – 10:00 pm, the show will be on display in the Main Gallery and Gallery 2 through September 10th .

Instantly recognized as one of the UK’s most prolific Urban Contemporary artists, D*Face (Dean Stockton) has occupied the forefront of his practice since his first sell out show in 2005. Born and raised in London, his childhood interests of graffiti, California skate culture, and punk aesthetic were well nurtured from an early age. Having come across the likes of Jim Phillips and Vernon Courtlandt Johnson amidst the pages of Thrasher Magazine, he was initially inspired to follow a path of graphic design and illustration, before eventually taking a more freelance approach to his art. After learning to screen print his own stickers, he took the public domain of the street as his canvas, blending art, design, and graffiti in a manner that pre-dated the emergence of street art as it is known today. It was in this newly found outlet that D*Face quickly gained attention from others, mainly for the clean, vivid nature of his designs that quickly spread across the city. Even today, D*Face continues to approach his work with the same anarchic energy that drove his career from the outset. His murals can be found across the globe and his subversive-pop style and iconic D*Dog logo have become an inseparable part British Urban art and it’s ever-expanding medium.

show flyer DFace

Often describing his work as ‘aPOPcalyptic,’ D*Face seeks to pick up where the masters of 1980’s American Pop left off ─ to establish a very real, albeit tongue in cheek criticism of our consumer dominated world. By subverting the images and icons of the everyday, the artist encourages the eye of the beholder not just to ‘see’ but to carefully consider that which they may otherwise take for granted. By re-appropriating media from decades of materialistic over-consumption–advertising, comic books, and on-screen romance–and reshaping it with cleaner lines and the vibrant hues of his pallet, D*Face’s work acts as a necessary wake up call to overly conspicuous society of the 21st century.

Regarding his new works, D*Face shares, “Yes, yes, I’m aware the actual expression is to ‘paper over the cracks’ but for obvious reasons, painting felt more appropriate to me and to this show ─ with nearly one hundred murals under my belt, I’ve spent my fair share of time painting over real cracks in real walls. If you haven’t heard the expression before, it essentially refers to the act of ignoring or hiding an issue in both the literal and metaphorical sense ─ it’s putting on a brave face and pretending that ‘the issue’ doesn’t really exist.” Adding, “After living through an unprecedented, historical moment in time that saw us globally locked down as a result of the pandemic, I think we’ve witnessed our fair share of ‘cracks’ appearing across society and culture alike, some fresh, some older, and some deeper than before. In many of these cases it felt like the approach was to apply a big dollop of metaphorical paint to cover them up, only for the cracks to reappear slightly worse further down the line. This show and body of work is a collection of my own personal observations and feelings from the last couple of years. My intention is not a love letter to what we have lost and nor is it a celebration of the change that was catalysed by the pandemic, because, let’s face it, there’s been good and bad in both. Rather, it’s a visual acknowledgement of the altered society in which we now find ourselves and which we must strive to make better.” Click here for the artist’s full show statement.

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